we are the...
Misch Volkmann
"At the age of 17, I got my first electric guitar. With enthusiasm, I played every song I liked by ear, and my desire to study music from the ground up continued to grow. At 22, I enrolled in the conservatory to study classical guitar. Just one year after beginning my studies, I was fortunate enough to start a job as a guitar teacher at the private music school "Cavem." After completing my studies, I transferred to the „Ecole de Musique de l'UGDA“ (Union Grand-Duc Adolphe). I am still employed as a music teacher at this music school, and, over the years, I have consistently played in bands and cover bands while also participating as a studio musician in numerous productions. At the moment, my primary focus is on composing and arranging pop songs.
My main goal is to have fun with music and to assist young singers in achieving their dreams of success.“
Heng Kleren,
... probably, because I was born into a family of musicians, music played a very big role in my life from a young age. At the age of 6, I went to the conservatory to learn solfège and trumpet. At the age of 12, I changed instrument and chose the eBass as my main instrument. From 1976-1995 I was a bass player in the CHALLENGERS - besides that I played in other bands, such as ATMOSPHER (G. Waltzing), PLAYTIME (Gast Gnad, Al Ginter), NO ALIBI (Änder Hirtt), ELECTRIC BLUES BAND, VAN CORPORATION (Ab van Goor) or MURPHYS LAW (own band, pop, soul, funk, fusion) a.m.o.
A vocation drew me to music education, which I studied at the Trossinger Music Academy and at the Mozarteum in Salzburg. A number of audio productions, such as "Zinglabumserien" and a number of children's audio games have been produced in my sound studio. At the "Mastering Academy Hamburg" I later completed my training as "certified mastering engineer" - and mastering has become a passion to this day, alongside playing the bass.
Christian Krier
As with so many Luxembourg musicians, my musical path found its origin in the mid-90s in the local band scene. In the following years I was lucky enough to play keyboards in various formations, such as the bands Lifewire or Pale Obsession, and I also had the opportunity to stand on big stages and work with renowned musicians, including the mix engineers of Queen and Within Temptation. My classical solfège and piano training at the Conservatoire, but also my growing interest in film music and sound engineering, led me to major changes in my musical career in 2017: The band life was to be replaced by further courses in orchestration and in various areas of sound engineering - with an emphasis on mixing. This allowed me to finally make a long-held dream come true and put all the experience I had gained up to that point into practice in my own mixing studio. In my productions in this new environment I was able to express all my creativity, which fortunately allowed me to meet other musicians, producers and engineers.
Just as with them, my passion lies in the music itself, regardless of the contribution I've had the privilege of making. At the end of the day, that's what connects us all and why we put our heart and soul into it.